During the past six months Birmingham Museums have launched two brand new galleries showcasing the cultural heritage of the city and I’ve had the privilege of being involved in both developments.
The History Galleries, Birmingham: Its People, Its History opened last October at Birmingham Museum and Art Gallery and We Made It opened at Thinktank as recently as last week. The two exhibitions perfectly complement each other, working in tandem to innovatively explore the manufacturing history of this region. But, what exactly ties these two exhibitions, one about science and the other history, together, if anything? Well, first of all and most obviously, Birmingham. The History Galleries at BMAG explore nearly one thousand years of Birmingham’s history, but it’s the last two hundred years or so, that are really relevant to We Made It.
While the History Galleries explore Birmingham’s past from the point of the influential and everyday people…
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As I’ve discovered, the model is already inspiring interest in Birmingham’s medieval past, and, for some, it’s presenting what they once saw as a dull topic in a vibrant and accessible way. Conversations so far have ranged from serious discussions about what the archaeology from the Bull Ring excavations can tell us about Birmingham in the Middle Ages, to me discussing with people which houses we’d like to live in. The latter point isn’t as trivial a topic as you might think, because imagining is part of ‘experiencing’ and understanding history. The success of this display will be based on visitors not simply viewing the archaeology as ‘lifeless’ objects, but by making the link between the objects and the people who made them, used them, or sold them. So, don’t feel silly for imagining which house you’d live in or where you’d work. This is a good starting point for beginning to understand what life must have been like for our medieval ancestors.
The model sits at the centre of the new medieval gallery, Origins,and this is deliberate. It’s not a stand-alone interactive, as it has been designed to act as a ‘gateway’ for understanding all of the medieval objects on display in the gallery. This brings me on to one of my favourite objects; the skull of a hunting dog.
It’s most likely the skull of a greyhound, one of the oldest breeds of dog known to man. The skull dates from the 14th century and was actually found at Weoley Castle, around six miles from Birmingham city centre.
So, how is it relevant to the model of medieval Birmingham? Well, the de Birmingham lords would have also kept greyhounds, and we know this from the extensive deer park that existed next door to the town. In fact, the deer park existed before the town. The manor of Birmingham covered an even larger area stretching from the River Rea in Digbeth at one end, to Edgbaston at the other. The town Peter de Birmingham founded in 1166 occupied a small patch of land within the manor in comparison, but as the town became more successful, the subsequent de Birmingham lords released more of their deer park, until eventually it was absorbed by the expanding town.
The greyhound skull can tell us a lot about how land usage gradually changed in medieval Birmingham. Any self-respecting lord of the manor had a deer park because venison was a luxury meat and being able to invite your friends over to hunt was a sure sign of status. For the de Birminghams to ‘sacrifice’ something that represented their social standing, the town had to be prospering, and it was. Initially it was probably ‘topping-up’ their annual income, but the realisation of the town’s success and potential convinced them to release more land from their manor. This allowed the town over time to get bigger and meet the growing demand of trade. The idea of lordship was changing and land usage was changing with it. The town was now becoming the status indicator rather than the deer park.
We can use this object to understand how feudalism was breaking down in Birmingham and England as a whole. The park was becoming gradually less important as the town prospered. That’s to say that the deer park was now more valuable to the lord as part of the town, than it was as his hunting ground.The economy was no longer solely based on feudal obligations, whereby peasants worked the land for the lord in return for living on his manor. We know that in Birmingham as early as 1232, sixteen townsmen had come to an agreement with William de Birmingham (an earlier William than the one featured in our model) to free themselves from their haymaking duties. It was more beneficial to William for these merchants and tradesmen to sell their goods at market and support the growth of his town, than to help out with this communal obligation. This was part of the gradual move from a land-based economy to a money-based economy.
By this stage, the lord of the manor was looking outwards rather than inwards, beyond the boundaries of the manor, as it was trade from the wider area that would secure the success of his town and his status as lord. Owning a town within your manor was now part of the aspirations of the aristocracy, and while deer parks were by no means out of fashion, it seems that for the de Birminghams, at least, entrepreneurial vision had superseded hunting pursuits in the ranks of lordly endeavours.
Remember that the new History Galleries, Birmingham, Its People, Its History opens next month on 12th October.
Keep up to date with the progress of the galleries by following me on Twitter @CinnamonLatte17.
Special thanks to our model makers, Eastwood Cook http://www.eastwoodcook.com/
Sarah Hayes, Freelance Curator
The 1296 Borough Rental referred to in my previous blog is the earliest known ‘census’ carried out in Birmingham. Official censuses didn’t begin in this country until 1801, but recording information about people, land and property has preoccupied governments since time immemorial. We know, for instance, that William the Conqueror commissioned the great land survey, Domesday Book, in 1086 to assess how much his newly occupied country was worth. The Borough Rental was no different in that its main purpose was to keep a record of the rents owed to the lord of the manor. However, like Domesday, it doesn’t give an accurate indication of Birmingham’s population, as it mainly lists principle tenants, those people renting land directly from the lord. William de Birmingham, Lord of the Manor, was in essence a landlord and generated much of his income from renting his land to Birmingham townspeople.
Our model isn’t just about buildings and institutions in medieval Birmingham, it’s first and foremost about the real people who lived in the town. The Borough Rental doesn’t just record the names of townspeople though. In some cases, it lists their trades and locations. This, together with archaeological evidence from the Bull Ring excavations, has given us a unique opportunity to quite literally trace their footsteps, or at least the general area of Birmingham they called home. We want to allow visitors to learn more about the real townspeople and to ‘interact’ with them through our model.
They can do this through a series of push buttons, which link to eight characters positioned around this interactive. The button will trigger a light and illuminate a character in the model, and visitors can learn more about where that person lived or worked. The characters we’ve chosen represent the wide spectrum of wealth and trades in Birmingham, ranging from the lord of the manor, to everyday folk like tanners and potters.
Archaeology and history go hand-in-hand in this display as the two disciplines combined provide us with an invaluable insight into how people lived. For instance, there will be a selection of cattle horns on display which represent the established tanning industry in medieval Birmingham. The horns also serve to highlight the presence of Welsh cattle drovers who came here to sell their cows at market. With its abundant natural springs and streams scattered around the market place, Birmingham was the perfect place to water livestock. One of our characters, Richard le Couherde, which translates as the cow herder, would have played his part in helping the drovers to guide the cattle to market in the busy town. We know that Birmingham was already at the centre of a well-established road network by this stage, and there’s evidence to suggest that the roads the drovers used were already very old by 1300. Welsh names like Jones, Prys and Brangwayn even crop up in the Rental. While we don’t know if these men were drovers, we can safely assume that they, or their ancestors used these roads to make their journeys to Birmingham.
Birmingham was built on migration and this is a strong theme running throughout the new History Galleries. This trend was well under way in the Middle Ages, and was not simply a nineteenth and twentieth-century phenomenon as is often assumed. Other surnames in the Rental stress this point and include the likes of de Coventre (‘from Coventry’), Newporde (‘from Shropshire or Wales’), de Parys (very possibly ‘from Paris’) and those places closer to home, including de Edebaston (‘from Edgbaston’) and de Norton (‘from King’s Norton’).
As well as locational surnames, the Rental lists many occupational names which were very common in the Middle Ages. Nicholas le Sawyer would have been responsible for many of the new builds in the town. Le Sawyer means the person who saws wood, and in a place constantly attracting new migrants, homes would have been in demand.
One thing that tied all these people together were the rents they paid to William de Birmingham. But, even William wasn’t top of the tree. Above him were the Lords of Dudley from whom he held the manor of Birmingham, and above all of them was the king.
Having access to such a valuable document like the Borough Rental will help people to make more sense of the objects on display in the new History Galleries. While we don’t know the biography of people’s lives in the medieval town, we can make links through their professions, where they lived and even the names we share with them. We can identify with their daily struggle to pay the rent and put food on the table, and while we can never fully ‘know’ them, we can learn more than we ever could have hoped for, simply because of the discovery of this document just a few years ago. It just makes you wonder what else is out there, above ground and below!
Once again, special thanks to our model makers, Eastwood Cook http://www.eastwoodcook.com/
Sarah Hayes, Freelance Curator
Follow me on Twitter @CinnamonLatte17 to keep up to date with the latest developments on the Birmingham History Galleries.
This blog first featured on Posterous in July 2012, http://birminghammag.posterous.com/exploring-medieval-birmingham-part-ii
A scale model allows visitors to depict a scene in a way that words or illustrations sometimes fail to do. To put it simply, it does all the hard work for the viewer by giving them a unique perspective that allows them to survey a landscape in its entirety. We wanted to do exactly that for our visitors at Birmingham Museum & Art Gallery. The model we recently commissioned for the new History Galleries illustrates what Birmingham might have looked like in 1300. ‘Might’ is deliberately used here because there are some physical features of the town for which we simply have no concrete evidence. For instance, we don’t know what the fabric of the buildings looked like and whether these buildings were front side or gable end onto the street. Timber framed buildings from the 13th century rarely survive. In Birmingham’s case, its oldest timber framed building is the 15th-century Old Crown Pub in Deritend. Nevertheless, we’ve done what historians do best! We’ve used the abundant evidence we have relating to 14th-century buildings and the limited knowledge from the 13th to produce a ‘most likely’ case scenario.
Some people may be thinking ‘why not just focus on the later medieval period, for which we have more evidence?’ Well, we do have one tangible piece of factual evidence which we’ve based the blueprint of the model on. That is a document called a Borough Rental dating from 1296. This recently discovered document lists the names of townspeople who rented plots of land in Birmingham from the lord of the manor. It also tells us that there were 250 dwellings in Birmingham in 1296. Using this record, along with research from specialists, George Demidowicz and Mike Hodder, we have been able to map rented plots of land that existed in the town. These areas were known as ‘burgage plots’ and in some cases we can pinpoint exactly where certain townspeople lived.
One such person is Roger le Moul, the wealthiest merchant in 13th century Birmingham. Not only did he own 17 plots, he also gave his name to one of the best known streets in Brum: the Moulestrete of 1437 is today’s Moor Street. Birmingham, a place many assume emerged out of the Industrial Revolution was already thriving in the 13th century and this legacy is embedded in the surviving place and street names of the modern city! Our model, however, doesn’t show the full extent of medieval Birmingham. We’ve simply focused on the market place, the heart of the town, and the burgage plots that surrounded it.
The Borough Rental also helpfully identifies the locations of Birmingham’s early industries, demonstrating why they were situated where they were. Tanning pits, a necessary component of the leather industry were located on Park and Edgbaston Streets. These streets were on the edge of the town and were ideal locations for such a noxious and smelly trade that used urine and animal faeces. Similarly, pottery making, another important early trade was located on the periphery of the town (on the site of Selfridges car park today) because of the fire hazards associated with the craft. In this way, the model really helps to emphasise the rationale of early town planning.
The beauty of our model is that it will help to dispel the myth that there was nothing here in the Middle Ages, when in fact we know that Birmingham was a bustling market centre and home to around 1,500 people. So, if you want to meet William de Birmingham, Richard le Couherde or Isabell le Sonster amongst many other medieval Brummies, visit the new Birmingham History Galleries this October and immerse yourself in the medieval history that made our modern city.
Look out for my next blog which focuses on the interactive features of the model. You can see the model on display this October in the new Birmingham History Galleries, Birmingham, its People, its History.
Special thanks to our model makers, Eastwood Cook http://www.eastwoodcook.com/
Sarah Hayes, Freelance Curator
This blog first featured on Posterous in June 2012, http://birminghammag.posterous.com/exploring-medieval-birmingham